This chair was made in 1858, just before the first centenary of Robert Burns’ birth. It is constructed from wood taken from the Kilmarnock printing press which produced the first edition of Burns’s Poems, Chiefly in the Scottish Dialect.
John Wilson, owner of the only printing press in the area, was a friend of Robert Burns and a statue of the two of them can be found in the location of the original printing press site. A copy of the printing press can be found in the Dick Institute, in Kilmarnock.
The carvings on the chair depict Luath and Caesar, from the poem The Twa Dogs.
In the centre of the high back you can find a carving of the Bard, after Naysmyth, with two of his most iconic characters, Tam O’Shanter and Souter Johnny on either side. In the centre there is a bas-relief carving showing Tam being chased by the with over the Brig O’Doon. Above this carving you can find a plaque with quotes from Burns’s poem, The Vision. On either side are spiral twist uprights which frame the carving. The chair is upholstered in a red velvet material which also covers the arm rests.
The history of the chair dates back from when the wood which is made of was part of the Kilmarnock Printing Press. Walter Graham had been John Wilson’s pressman for more than 40 years and he had worked on the first printing press brought into Ayrshire (thought to be that of Peter McArthur). The press which Graham had worked moved to Ayr and was used at the Wilson’s business until replaced by a more efficient machine.
It was in 1858 that Thomas M Gemmell, proprietor of the Ayr Advertiser (which had also been printed using the same press), decided to convert the press into an arm chair, wanting to create something ornamental and useful out of the fine oak.
Following Thomas M Gemmell’s death in 1889, the chair was presented to the Trustees of the Burns Monument. It was displayed in the Burns Cottage Museum and for a period of time was undergoing conservation treatment. It is now in museum stores, with the hope of displaying it later in the year.
In 1965 Burns Cottage welcomed a special guest. Muhammad Ali visited when he was in Scotland to fight Harvey ‘Cody’ Jones in Paisley. The World Heavyweight Champion fancied himself as a bit of a poet. He didn’t disappoint – as he sat in the cottage signing autographs and talking to the press he came up with this:
‘I’d heard of a man named Burns – supposed to be a poet;
But, if he was, how come I didn’t know it?
They told me his work was very, very neat,
So I replied: ‘But who did he ever beat?
Re-purposing and ‘up-cycling’ objects relating to Burns is an old tradition: here we have another chair, which is held in a private collection. Made in 1818 from the remains of the oak that composed the old roof of Alloway Kirk. Presented to Hugh, 12th Earl of Eglinton, it has references to the poet’s work.
The front seat rail features an inlaid plough and the inscription ‘In memory, Robt. Burns’. The brass panels are engraved with the poem Tam O’Shanter and signed Robb McWhinnie, Sculp, Ayr. (McWhinnie was an engraver and watchmaker in Ayr. Two cabinet makers – Jno. Underwood and Jas. Loumgair were responsible for its creation. The original home of this Burns chair was Eglinton Castle, Ayrshire, rebuilt in the Gothic ‘Castle Style’ by John Paterson 1798-1803.
Other upcycled objects include a glove box and jewel case, and a snuff box, made from the the original rafters of Burns Cottage and from an oak rafter from Alloway Kirk respectively.
Our most recent object which has been upcycled however can be found on Poet’s Path. The RBBM volunteers have worked hard to re-use some pallets to create a lovely bench which visitors can use when waiting on the buggy and read a selection of great books, stored in a handy section of the bench!