A previous blog post looked at the ‘up-cycling’ of the press that printed Burns’s first collection of Poems Chiefly in the Scottish Dialect also known as the Kilmarnock Edition. The repurposing of the press happened in 1858 and it was turned into an arm chair. The chair became an ornamental and useful piece of fine oak furnature, that was a souvenir or relic of Burns’s inaugural work.
This is not only one example of creating souvenirs or relics relating to Burns’s work and life from materials which are linked to aspects of his fame and life. At the Robert Burns Birthplace Museum and Bachelors Club, Tarbolton there is an amazing array of material! This blog post will look at a few highlights in the collection.
From the passing of Robert Burns on the 21st of July 1796 at the age of 37 people wanted to own a piece of the man! Over the years after his death the “Burnsiana” grew and developed, the collection of Burns souvenirs is broad and includes material that has been up-cycled from other objects or materials include pieces of Burns Trysting tree made into collectables, hair jewellery made with pieces of Jean Armour’s hair and pieces of Burns’s kist/coffin.
An interesting item in the museum collection is a necklace that is in the Fame section of the museum display. The necklace has 40 wooden beads and a wooden cross at the front with metal embellishments. It is 54cm long and the wood used in the necklace was taken from the Auld Alloway Kirk, just a short walk from Burns Cottage and next to the Burns Monument.
Alloway Kirk is a ruined church, which was built about 1516. By the time Burns wrote Tam O’Shanter the Kirk was in ruins. It had not been used for several decades and was in a ruinous state.
There is little information within the object record other than that the necklace is dated to 1822 – which dates to when Burns Cottage was under the tenancy of John Gaudie, and when the Burns Monument was under construction.
Other unique wooden souvenirs in the collection include a Pipe Case reportedly made from part of Burns’s Kist (3.4572), this is not unusual in the sense that it is connected with Burns’s burial – with the acquisition dated to 1834, below is an image of a piece of wood taken from Burns’s coffin when his tomb was opened so that Jean could be buried alongside him.
As with many souvenirs or relics the authenticity of the object is unclear – in this case eyewitness accounts state that the coffin was intact.
Wooden souvenirs with a direct connection to Burns’s life, made from the wood of trees grown on the banks of the Doon or, in this case, from the rafters of Alloway Auld Kirk, were highly sought after by Burns enthusiasts and general Victorian collectors.
In the 19th century there was a real interest in relic collecting relating to contemporary Poets – for instance at Keats House, Hampstead has in the collection a Gold Broach with some of Keats’s hair displayed in it, c.1822 (K/AR/01/002); another relic kept by the British Library is Percy Shelley’s ashes set inside the back cover of the book Percy Bysshe Shelley, His Last Days Told by His wife, with Locks of Hair and Some of the Poets Ashes (MS 5022).
At RBBM we have a lock of our Poet’s hair which is said to have been snipped from Robert’s head shortly after his death by his wife, Jean Armour, and given to her friend Jean Wilson in Mauchline as a macabre souvenir.
The world of Burns souvenirs and relics is vast and this only highlights some of the more unique… and interesting aspects of Burnsiana!
 Mackay,.J.A Burnsiana (1988)
 Lutz,.D Relics of Death in Victorian Literature and Culture (2015).
by Catriona, Learning Intern
I retired from full time work 6 years ago and having spent the first 5 of those with The Conservation Volunteers, I came to the RBBM just over a year ago as a “Buggy” driver which involves meeting and greeting visitors, transporting them on the buggy between the Museum and Burns Cottage, or any other places the buggy will reach, and helping with other information and advice where I can.
As with most volunteering the role rarely stops there and I now find myself helping out from time to time in all sorts of other ways which I find very rewarding , stimulating and helps me feel part of the team.
Driving the buggy allows me to meet a whole range of interesting folk from all four corners of the planet and I am constantly amazed at how well Robert Burns is known even in the smallest and most remote of islands but these global travellers offer a wide range of stimulating conversation which is rarely restricted just to the “Bard”.
The Volunteers at RBBM also help run a Garden shop, situated in the grounds of the museum, and a gift shop in the nearby town of Ayr which offers a wide variety of goods manufactured by local crafters and is also a shop window for the RBBM itself. The main purpose though of both these venues is to raise funds for the restoration and improvement of the Burns Monument which is just one of the bold and innovative ideas being developed by the management team at RBBM.
One variation on the theme, which I particularly remember, was the great fun we all had on Halloween: volunteers and staff together, creating and acting out a costume drama incorporating the Burns Cottage, Poets Path and “Auld Kirk” and providing lots of “bloodthirsty” and scary moments for those visitors brave enough to come back after dark !
I find volunteering a great way to keep fit, active ,meet new people and maintain a standard of life which rarely falters and you may go a long way before finding a better place to do all this than with the team at RBBM and the beautiful countryside surrounding it.
Last week we were once again overwhelmed by the dedication and talents of our volunteers. On Saturday 22nd February Glasgow Phoenix Choir held a concert in Alloway Parish Church and a special pleasure was the prominence of our own volunteer Billy as solo tenor. His rendition of Ae Fond Kiss was particularly moving. He also came up with the idea of bringing the choir to Alloway in the first place to raise money for the repair and restoration of Burns Monument.
The choir looked stunning as they entered in their white tuxedo jackets and elegant black evening dresses – all seventy of them. The programme, led with great verve by Conductor Marilyn J Smith, was perfectly designed for the venue and audience with a strong theme of Burns and Scottish songs but also sacred and modern classics too. The church was packed and you could feel the warmth of the response to song after song. A Treasurer of the Friends of RBBM has let us know that the concert raised a significant sum!
Many grateful thanks go to everyone who supported it by coming along, spreading the word and selling tickets to family, friends and neighbours and also ‘Team Sandwich’, the band of volunteers who spent hours beforehand buttering and spreading sandwiches for 70 people! Thanks also to the church representatives that were an invaluable help. And not to miss out the staff at RBBM who went above and beyond expectations in selling tickets and giving information.